Our project - FUN

Just like Gilbert and George work together, we got our next project that meant we had to work in a group of 7 and create large art work. Ideas changed and developed, we got ideas from books and the internet. 
Some of our ideas were

• stereotypes 
• showing how old people respond to today's youth 
• showing how time has changed 
• fun 

Our final idea is fun, this is shown by images of objects that we find fun or that we did when we were younger, fun places and by portraits of us having fun. It was then suggested that we use a word like "us" or "me" but then it was pointed out that it may be too personal if we use words like that so we voted and "fun" is the word we're using. We're going to use 65 frames (size 6 x 4), having 13 across and 5 down. All the images will be black & white, however we're going to create the word FUN using the frames and images, these will be in red. It was then decided that each letter was going to be a different colour, "F" in red "U" in yellow and "N" in blue. 
We set deadlines for ourselves these were 

1. Monday and Tuesday shoot the images 
2. Tuesday afternoon and Wednesday edit
3. Thursday print, frame and put on the wall. 

We met our deadlines and I think it looks really good and the word FUN stands out a lot. Here are some images of our work that are now up in college.

Here you can see our FUN image and the other groups image, theirs is to do with the 80's.

Gilbert & George

England is a large, wall work consisting of thirty photographic panels mounted in abutting narrow black metal frames. The artists took photographs of a wild English rose and its leaves and coloured the photographs red and green respectively. The photograph of the rose, spread across two red panels, is central to the work. A cluster of three leaves is spread across four green panels above and below the rose. Black and white photographs of the artists standing in confrontational poses, their feet wide apart and their hands balled into fists, fill six panels on either side of the rose. They are making ‘a physical salute’ to England, one which involves ‘all the physique, not just an arm’ (quoted in The Tate Gallery 1980-82: Illustrated Catalogue of Acquisitions, p.99). Gilbert and George photographed each other against a white wall. The bottom of their legs and their feet disappear into the dark floor, which provides a kind of sculptural base for their figures. Above each black and white standing figure is a crouching, grimacing red and black figure. The image of Gilbert is placed above George and that of George above Gilbert in the compositional balancing typical to the artists’ multi-panelled photo-works of the 1970s. Gilbert, on one side, screws up his eyes and has his thumbs in his ears and his fingers sticking up above his head. George on the other side opens his eyesngland is a large, wall work consisting of thirty photographic panels mounted in abutting narrow black metal frames. The artists took photographs of a wild English rose and its leaves and coloured the photographs red and green respectively. The photograph of the rose, spread across two red panels, is central to the work. A cluster of three leaves is spread across four green panels above and below the rose. Black and white photographs of the artists standing in confrontational poses, their feet wide apart and their hands balled into fists, fill six panels on either side of the rose. They are making ‘a physical salute’ to England, one which involves ‘all the physique, not just an arm’ (quoted in The Tate Gallery 1980-82: Illustrated Catalogue of Acquisitions, p.99). Gilbert and George photographed each other against a white wall. The bottom of their legs and their feet disappear into the dark floor, which provides a kind of sculptural base for their figures. Above each black and white standing figure is a crouching, grimacing red and black figure. The image of Gilbert is placed above George and that of George above Gilbert in the compositional balancing typical to the artists’ multi-panelled photo-works of the 1970s. Gilbert, on one side, screws up his eyes and has his thumbs in his ears and his fingers sticking up above his head. George on the other side opens his eyes wide behind his glasses, sticks out his tongue and points towards his face. The artists transformed their childish gestures of mockery and rebellion into caricatured horror by lighting themselves from below and colouring the images red. Positioned above the proud patriots, the red artist-gargoyles seem to evoke their sinister alter-egos. - From the Tate website 

 In 1984 George explained:

We use colour in different ways. At first we used red and then we used red and yellow. Now we use more colours, but in each picture they mean something different. It depends on how we put them to work. They can be symbolic or they can be atmospheric or emotional. You can say red is like love, or it is like blood, or danger, or fire. It’s used in different ways, not in a simplistic way. It’s more a part of our own language, really – part of our vocabulary.

Richard Billingham

'my father raymond is a chronic alcoholic.
he doesn't like going outside, my mother elizabeth hardly drinks, 
but she does smoke a lot.
she likes pets and things that are decorative.
they married in 1970 and I was born soon after.
my younger brother jason was taken into care when he was 11,
but now he is back with ray and liz again.
recently he became a father.
'dad was some kind of mechanic, but he's always been an 
alcoholic. it has just got worse over the years. 
he gets drunk on cheap cider at the off license. 
he drinks a lot at nights now and gets up late.
originally, our family lived in a terraced house, 
but they blew all the redundancy money and, in desperation, 
sold the house. then we moved to the council tower block, 
where ray just sits in and drinks. 
that's the thing about my dad, there's no subject he's interested
in, except drink.'

'it's not my intention to shock, to offend, sensationalise, 
be political or whatever, only to make work that is as spiritually 
meaningful as I can make it - 
in all these photographs I never bothered with things like 
the negatives. some of them got marked and scratched. 
I just used the cheapest film and took them to be processed 
at the cheapest place. I was just trying to make order out of chaos.' - Richard Billingham 

 Richard's dad Ray was an alcoholic, in this image I think that this is clear, he's at the point where he can't stand and we get the feeling like he's like this a lot of the time. 

I like the expression on the faces in this image because of Rays drinking, Ray and Liz (Richard's mother) argued a lot and I like how this has been captured here.

His mother over ate and had many tattoos. 

Here again we see Ray drunk and he's like pushed the cat into the air, I think this is the best image as it has a comical feel to it. 

Family photos

 Photos of my family that I took in Home Bargains and in my cousin's house, I then edited them in Photoshop and/or adobe bridge. I think these image show a 'normal' family day life.

I like the diagonal lines that lead you to my family and also how the left side of the photo is clear and it gets lighter as the image goes showing good shallow depth of field.

 Doing a bit of Christmas shopping, in this image I like the leading lines that take you to the person ( my aunty Gillian).

I like the motion of the book in this image. 

This image shows my family setting, all sitting around watching the kids 

 In this image I like how my cousin Emma is in focus but the rest is in blur or motion. It's juxtaposition between chaos in the background and calm in the stillness of Emma.

I also made the image black and white, I think it looks better like this.

In this image Caleb had noticed the camera and started to shout, I used photoshop to edit.

I like this image because I just think its cute and natural. 

In this image there is my cousin Jon, his wife Lauren and their child Caleb, I like the similarities between mother and son, both on technology.